摘要
本文通过对郑荣达先生《试探先秦双音编钟的设计构想》一文之“双音编钟音位设计的逻辑思维”的解读,认为郑荣达先生对曾侯乙钟之编制所做的探究,堪称以数理逻辑的视角对音乐文物进行研究的典范,因而其无疑是数理逻辑作用于考古学的绝好例证。
Through reading Zheng Rongda's article To Explore Designed of the Chinese Bell With Two Pitches in Pre-Qin, the writer believed that that Mr. Zheng's researched on Zeng Marquis Bell was a good example of for researching the music cultural relic from the viewpoint of symbolic logic, therefore, it was also an excellent instance to use the symbolic logic to the archeology.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2005年第4期40-43,共4页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
郑荣达
数理逻辑
曾侯乙钟之编制
考古学研究
例证
Zheng Rongda (Chinese musicologist), symbolic logic, drawn up of Zeng MarquisBell, archeology research, example