摘要
感应是一种由此及彼的推论式思维,由此心、此事、此物而感应彼心、彼事、彼物,当然也含有想象、联想的成分或艺术化的夸张。儒家思想体现在艺术思维上的感应,主要是针对社会、人生和心理方面的,而道、佛学说则在于对自然、本性和自由、人性的张扬。“三教互补”使意象语言和推理语言在唐代艺术思维中得到了完美的统一。
Reaction is a deductive thinking, which relates one heart to another or one thing to another, and it also has association, imagination or artistic exaggeration. The reaction of artistic thinking of Confucianism is mainly related to the society, human life and psychology while Taoism and Buddhism aims at the praise of nature, freedom, humanity and human nature. The mutual complement of the three religions helped the perfect integration of imagery and deductive discourses in the Tang Dynasty.
出处
《云南民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2005年第6期132-136,共5页
Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)
关键词
唐代
三教互补
艺术思维
感应性
Tang Dynasty
mutual complement of the three religions
artistic thinking
reaction