摘要
20世纪末中国当代现实主义文学创作经历了三次转变。这种转变既是一种对传统的继承,同时更体现着作家对社会、时代的不同感应,并表现出各自不同的审美追求。在写实性上,政治理想、生存状态、生活困境成为各自的中心话语;在批判性上,创作主体的政治批判性,欣赏主体的对批判性的选择,创作主体与欣赏主体的共同反思成为各自不同的话语目标。
The contemporary realism experienced three transformations in the late 20th century. These transformation not only are succession to tradition, but also depict respective aesthetic pursuit, embodying authors' response to society, epoch. Political ideal, surviving condition, living difficulty has realistically become core concepts. The political criticizing of creative subject, the critical selection of appreciative and mutual reflection of creation and appreciation subject have realistically become discourse target.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2005年第6期82-85,共4页
Journal of Qiqihar University(Philosophy & Social Science Edition)