虽古犹清新——瓷画中的仙鹤题材

CRANES IN CERAMIC PAINTINGS:A FRESH LOOK OF AN ANTIQUE MOTIF

以仙鹤为题材,进行艺术品创作,有其悠久的历史。从隋唐开始,仙鹤与花鸟画一起成为独立画科,经历代艺术家不断地创作,仙鹤作为吉祥题材广为引用,作品精彩纷呈。在陶瓷艺术作品中,仙鹤更是雅俗共赏的题材,从宋代至今,其装饰技法、表现手法和画面结合等,千变万化、不断创新,成为陶瓷艺苑中永不凋谢的奇葩。

Cranes have long since been used as a motif for ceramic decoration. The formation of crane and birds-and-flowers painting as an independent painting school traces back to Sui and Tang Dynasties. With artists＂ continuous efforts, cranes have been widely included in large numbers of paintings as one of the auspicious motifs. In ceramic art paintings, cranes are even more of an indispensable subject. From Song Dynasty to present, crane paintings have been varying and updating in terms of the technique and art expression, and become an ever blooming flower in the garden of ceramic arts.