试论传统藏戏悲剧性的消解

On the Dissolution of Tragedy elements of Traditional Tibetan Drama

悲剧观念是民族意识的主要构成因素,它以民族文化的形式渗透在该民族每一个成员的个体意识和行为之中,并通过哲学、宗教的形式,尤其是艺术的形式表现出来。戏剧产生于人类文明的初始阶段,传统藏戏再现了或深刻地表现了藏族先民生活的那个时代的社会风貌及人情世故,也体现出该民族的悲剧观念。本文通过对藏戏代表文本的具体分析,试图探讨促使传统藏戏悲剧性消解的各个因素。

The idea of tragedy is one of the main elements that consist of ethnic sense. It penetrates into each individual member＇s behaviors and senses in the form of ethnic culture, and embodies itself through philosophy, religion, especially arts. Drama derives from the primitive phase of human＇s civilization. Tibetan drama reproduces or presents profoundly Tibetan social styles and features, custom of that time, and Tibetan idea of tragedy could be traced down, too. This article tries to explore the factors that enhance the dissolve of Tibetan tragedy by analysis of representative Tibetan scripture drama.