雪域佛光中的藏族美术

Tibetan Beaux-arts in the Snowy Field and Buddhist Light

藏族美术作为藏族文化的主要部分,它自始至终与本土原始文化,藏传佛教文化和民间民俗文化联系在一起,究其实质而言,藏族美术的主流是藏传佛教美术,是将佛教的哲理内涵用美术的形式手段表达出来,借以抒发人生的愿望和理想.藏族美术以其独特的地域性,鲜明的民族性,神圣的宗教性,强大的包容性等特点,构成藏族美术自成体系的艺术风格,从一个侧面建构了中华民族美术尤其是佛教美术的文化传统。

As the head and front of Tibetan culture, Tibetan Beaux-arts is related to vernacular original culture, Buddhist culture of Tibetan-strain and folk-customs. Essentially speaking, the mainstream of Tibetan Beaux-arts is Tibetan-strained Buddhist Beaux-arts, which reflects philosophical connotations of Buddhism in the form of arts so as to express the visions and ideals of life. Tibetan Beaux-arts composes its own style with its characteristics of unique terrain, vivid nationalities, sacred religions, powerful adaptability, thus constitutes from a unique angle the cultural tradition of the Chinese Beaux-arts and especially the Buddhist arts.