摘要
“趣”作为我国古代文论审美范畴,它对当代文学创作、文论建设具有重要的启示意义。具体表现为:一、启示文学创作要不断焕发主体灵性,张扬生命自由;二、启示文学创作要不断求新求变,加强艺术表现力;三、启示正确看待文学的社会作用,以审美为文学的价值之所在;四、启示倡导文学审美的多样化,反对单一的文学批评取向;五、启示反对庸俗的文学之趣,追求健康的文学趣味;六、启示文学批评要亲近文学现象,抛却空中楼阁。
As an aesthetic criterion for the ancient Chinese writings, “taste” has great significance of enlightenment for the contemporary literary creation and criticism. This significance is exemplified as follows: 1. It enlightens us that literary creation should awake the subject's spiritual awareness and call for the freedom of life; 2. It advocates that literary creation should be renovated and we should constantly reinforce its artistic expressions; 3. It helps us look upon the social value of literature correctly, and regard aesthetics as the basic value of literature; g. It advocates the diversification of literary aesthetics and opposes the unitary literary criticism; 5. It is against vulgar literary tastes and pursues healthy ones; 6. It holds the notion that the literary criticism should be close to literary phenomena rather than those unrealistic and mysterious things.
出处
《沈阳师范大学学报(社会科学版)》
2005年第6期85-89,共5页
Journal of Shenyang Normal University(Social Science Edition)
关键词
古代文论
审美范畴
“趣”
现代意义
ancient writings, aesthetic criterion, “taste”, contemporary significance