摘要
以康德的审美普遍性为代表,揭示了审美普遍性存在的理论基础,即审美无功利性、审美共通感和美的理 想。审美的阶级性、专家文化和日常生活的审美化,是审美普遍性所遭受的现代挑战,这些无疑是对审美普遍性的 补充和发展,而不是否定。同时,审美普遍性还对前者提出了更高的要求。
Centered around Kante＇s aesthetic universality, this paper reveals the theoretical basis of the aesthetic universality- aesthetic non-utilitarianism, aesthetic empathy and the ideal of beauty. The modern challenges to aesthetic universality are respectively the class nature, expert culture and the aesthetic appreciation of daily lives, which are beyond doubt the supplements and development to the aesthetic universality rather than the negation of it. In the meantime, the aesthetic universality requires more from the former one.
出处
《新疆大学学报（社会科学版）》
2005年第6期105-108,共4页
Journal of Xinjiang University(Social Science Edition)
关键词
审美
普遍性
现代
aesthetics
universality
modern
