论90年代“后金庸”新武侠小说文体实验

On the Genre Trial of "Post-Jin Yong" New Chivalry Fictions in 1990s

90年代的武侠小说,在武侠电子媒介和武侠文化研究的推激下,由香港的温瑞安和黄易等表现出了不同于60至80年代的新的特色。在文体意识方面,由传媒的变化和网络的发展形成了武侠文体的“后现代化”,主要表现为武侠小说的文体扩张与文体渗透。武侠小说在90年代的成就,总体来说虽有不足,但新一代武侠作家(包括武侠多媒体艺术的创作者)已经具备了某种思想探索与文体实验的先锋性,这将是雅俗整合中新的文体格局形成的契机。20世纪初武侠小说文体发展中出现过的颠覆、沉寂、创新的过程,又将在新的世纪重现。

Promoted by chivalry electronic media and the study of chivalry culture, chivalry fictions in 1990s bore some fresh characteristics quite different from those in 1960s - 1980s, which were depicted by Wen Rui＇ an and Huang Yi in Hongkong. The change of media and the development of internet have led to “post - modernization” in chivalry genre, mainly with the expression of its expansion and infiltration. Despite some imperfection as for the achievement of chivalry fictions in 1990s, the writers of new generation have been of much vanguard in thinking exploration and genre trial, which will be the turning point in the formation of new genre. The subversion, stillness and blazing new trails in the development of the genre of chivalry fictions in early 20th century will certainly reappear in a new century.