摘要
长期以来图案一直是应用美术学科的主要基础课之一,但由于我国特殊的历史原因以及人们长期以来缺乏对图案学科的深入思考,导致图案教学内容的萎缩,致使图案教学难以适应工业时代的发展需要;然而现代“工业文明”给人类带来的精神困惑,致使人们重新认识传统文化在当代艺术设计的现实意义;现代艺术设计愈来愈重视人文传统、自然、科技社会等综合利益的协调性和持续性发展。因此,在当代艺术设计体系发展中以“传统图案”和“现代装饰”为主要内容,并以“现代装饰”理念贯穿传统与现代的审美精神,在现代艺术设计的发展中创造具有中国民族文化特色的当代设计艺术,可以说是图案走向当代装饰设计的主要趋向。
For a long time patterns have always been one of the main basis for the sub)ect of the applied art. However, due to our country's special historical factors and people's lack of deep consideration into the pattern discipline, pattern teaching shrinks, which leads to the result that the pattern teaching can not meet the need of the development of the industrial era. The modern culture of the industrialization caused people in great spiritual puzzlement, which makes people realize the practical significance of the traditional culture in contemporary art design. The modern art design pays more and more attention to the harmony of the social integrated interests among the human tradition, nature, science, and technology as well as the sustainable development. As the result, in the development of the system of the contemporary art decoration, attentions are gradually focused on elaborating the main content advantages of the traditional pattern and modern decoration and creating the contemporary art design with the characteristic of China's ethic culture by combining the traditional notion of the modern decoration and the aesthetic spirits , which shows the main trend of the decoration design: that is from the pattern to the modern decoration design.
出处
《西北大学学报(哲学社会科学版)》
CSSCI
北大核心
2005年第6期144-147,共4页
Journal of Northwest University:Philosophy and Social Sciences Edition
关键词
图案
纹样
艺术设计
装饰设计
三大构成
现代
后现代
pattern
shape of grain
art design
decoration design
three big components
modern
postmodern