摘要
《头儿》是荒诞派戏剧大师尤奈斯库的一部早期剧作,它较为突出地展现了荒诞派戏剧的基本艺术特征。在《头儿》中,人们欢呼雀跃地等待“头儿”的出现,而最终看到的却是一个“没有头”的“头儿”。剧作家以此揭示20世纪中叶,人类精神家园的失落和强烈的虚无感。在这样的世界里,人存在的个性价值没有意义的,人与人之间所达成的关系是偶然的,人与人之间的相互认识是不可能的。
Toner , which is an early dramatic work by fantastic school drama Master Lnoesco, has prominently shown the basic artistic characteristic of the fantastic school drama. In Tooer, the people cheer up waiting the head, but what they got is a Toner of “having no head”. The playwright opens out the losing of mankind spirit homestead and strong unreal feeling during the middle period of 20 centuries. In such world, the individuality value that the human exists has not the significance, the relation between people is accidental, and human mutual understanding is not impossible.
出处
《北方论丛》
北大核心
2005年第6期60-63,共4页
The Northern Forum
关键词
荒诞
虚无
重复映衬
细节
fantastic
unreal feeling
repetition complementing
detail
