摘要
吴梅戏曲美学中最基本、最重要的当数对戏曲“真”的考察。吴梅论戏曲真实,不仅针对“真”,还包括对“趣”、“天然”、“审虚实”、“本色”等的论述。“真”主要谈及创作之真;“趣”要求“风趣”、“机趣”;“天然”则要求戏曲乃“雕绘物情,模拟人理”之“天然之文”;至于对创作上审虚实的探讨则与戏曲的“本色”理论相映成趣。
The most elementary and important thing is the investigation of truth of the opera among the WU Mei's Chinese Opera Esthetics. This paper approaches WU Mei's discussion of interest and nature, the false or true, and pototype, And, based on the discussion of the truth, expounds the overall process of WU Mei's discussion of the truth of opera. Truth mainly discusses the truth of inditement, interest requires humor and wit, nature requires vivid carving, imitating human being, and natural language of opera. The discussion of false or true of inditement contrasts pleasingly with the truth theory of opera.
出处
《福建师范大学学报(哲学社会科学版)》
北大核心
2005年第6期68-71,共4页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition