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我国维吾尔族民族民间音乐中使用波斯-阿拉伯音乐体系之源流探析 被引量:12

The Origin and Development of Persian-Arabian Musical Systems Absorbed in the Uygur Traditional Music
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摘要 维吾尔族是我国各民族中唯一使用三种音乐体系(中国、波斯一阿拉伯、欧洲)的民族。本文围绕波斯—阿拉伯音乐体系是如何在维吾尔族民族民间音乐中产生、发展进行探究:1、维吾尔族民族文化产生的历史背景。2、地理位置、生态环境和人种语言等方面的影响。3、伊斯兰文化对维吾尔族民族文化的影响。4、阿拉伯音乐对维吾尔民族音乐的影响。从而阐明民族音乐文化的产生、存在和发展,不可能是孤立的,它不仅同该民族、社会、历史发展分不开,而且同周边的国家、民族、社会历史分不开。 In China, Uygur is the only nationality absorbing the three kinds of musical systems, that is, Chinese, Persian-Arabian and European musical systems. In accordance with the special musical phenomenon, the writer explores the way Persia-Arab musical system is formed and developed in Uygur traditional music in the following three aspects: 1. The background of the traditional culture in Uygur. 2. The influence of Islamic culture on Uygur traditional music and culture. 3, The influence of Arabian music on Uygur traditional music. At the end, the writer summarizes that the emergence, the existence and the development of the traditional music and culture are not isolated, which can not be separated from its national history, society or from those of the surrounding countries .
作者 肖端
出处 《福建师范大学学报(哲学社会科学版)》 北大核心 2005年第6期77-80,共4页 Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词 维吾尔族 波斯-阿拉伯音乐体系 伊斯兰文化 木卡姆 Uygur, Persian-Arabian musical system, Islamic culture
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