摘要
今天,在以中、西现代文化的交融为主要标志的社会里,本土文化的艺术创造经常迷惘于“自弃”与“盲动”之中。从阶段上讲,这既是正常的,也是发人深省的。鉴于此,对于“古为今用,洋为中用”的重提就显得极有必要,其意义在于通过这样一种艺术观去把握艺术创作中“继承”与“借鉴”的关系,使艺术创作能够在不断更新与进步当中始终具有“中国化”的意义。本文试图从认识上入手,简要重申以往被我们所理解和实践过的观点,并以此共勉于今天的艺术创作。
As blend the Chinese and foreign contemporary culture time, today always happen self- abandon and blindness mainland artcreate of maze phenomena. So, must afresh mention the Age - old for today and foreign for China of literature course, especially about inherit and use for reference and art - create of connection is very importance for today. This article hope profit from afresh knowing Age - old for today and foreign for China of literature course, cause the art- create have the development.
出处
《沈阳教育学院学报》
2005年第4期5-8,共4页
Journal of Shenyang College of Education
关键词
“古为今用、洋为中用”
中西文化艺术
艺术创作源泉
Age-old for today and foreign for China
Chinese and foreign contemporary culture
mine of the art-create
