摘要
当代书法彻底摆脱了实用性制约,书法真正变成了纯粹的艺术。以过去的书法创作实践,尤其是二十世纪九十年代书法生态环境中的作者群体队伍作为参照与背景,可以梳理出当代书法发展的组织性、展览性、学科性等三个最显著的特点及创作倾向。
Contemporary calligraphy has completely escaped the limitation of pragmatism and truly become a pure art. With the past practice of calligraphical creation, especially the calligraphers in the 1990s, as reference and back- ground, the author summarizes three most distinct characteristics of contemporary calligraphy development, i.e. organization, performance, academy and creative tendency.
出处
《艺术百家》
北大核心
2005年第6期62-65,共4页
Hundred Schools In Arts
关键词
当代书法
发展特点
创作倾向
Contemporary calligraphy
Development characteristics
Creative tendency
