诗歌:意境空间与弹性美学——诗歌鉴赏活动中诗人、作品、读者的互动关系

Poem: the Room of Artistic Conception & the Stretching of Aesthetics——About the Interactions among Poets,Poems and Readers in Poem Appreciation

文学鉴赏是文学活动中的一个重要环节,诗歌也不例外,从一首诗歌的诞生到意境美学的实现,应该分为三个环节、两个阶段。三个环节即诗人、作品、读者;两个阶段即作品诞生阶段与诗美实现阶段。这两个阶段又各具特色:诗人与作品之间,作品看似被动的,但文本自身的规律使得诗人也不能不顾其余;而作品与读者之间的双向互动关系也是明显的,首先,诗歌文本贮存的种种信息或意蕴使读者流连忘返;其次,读者在诗歌文本意蕴的感召下,又调动大脑中已储蓄的与诗歌文本相关联的大量信息反过来激活作品,正是这种双向“互动”最终在诗歌的字里行间中弥漫成意境的空间。

Literature appreciation is an important sector in literature activities. There is no exception in poems. However, the realization of aesthetics of artistic conception in poem appreciation has its own particularity. Based on this, this paper has laid much emphasis on the interactions among poets, poems and readers, and only by this means do the poems have stretching, also only with the stretching can the room of artistic conception produce.