摘要
简述了赖少其是中国画家中最值得重视的大师之一,当代中国画因赖少其的存在而骄傲的依据。剖析定居广州后赖少其的中国画“丙寅变法”三阶段的特点及历史意义。作为一个艺术家、学者,赖少其的生命已依附到那些卓尔不群的作品之中;作为一个绘画大师,赖少其的灵魂已铸刻在20世纪的中国文化史上。
Evidence in support of the facts that Lai Shaoqi is one of the Chinese painting masters who deserves most attention and that Chinese painting prides itself on Lai Shaoqi's appearance is briefly described. An analysis of the features and historical significance of Lai Shaoqi's three stages of "Bingyin
出处
《合肥学院学报(社会科学版)》
2005年第4期4-8,共5页
Journal of Hefei University:Social Sciences
关键词
赖少其
晚年的山水画
“丙寅变法”
Lai Shaoqi
late-life landscape painting
"Bingyin reform"