摘要
莎士比亚的《哈姆雷特》和关汉卿的《窦娥冤》在真实地反映了当时社会冲突的同时,也自然而然地流露出悲剧的女性形象。自我主导权和生命权的沦丧流露出女性形象脆弱的一方面;外力横加的权欲和物欲流露出女性形象婚姻爱情之本质,最终使得女性形象或成为男性掌控的政治争斗的殉葬品,或难逃无助宿命。
Hamlet by Shakespeare and Snow in Midsummer by Guan Hanqing of the Yuan Dynasty both truly revealed the conflict of the societies at that time and naturally brought to light the tragic fate of women characters and the miserable nature of their marriages. Because of their inferior social status women could not decide their own destiny and sometimes even fell victims to male dominated political struggle.
出处
《内蒙古大学学报（哲学社会科学版）》
CSSCI
北大核心
2005年第6期26-30,共5页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
关键词
莎士比亚
关汉卿
戏剧
女性形象
地位
Shakespeare
Guan Hanqing
plays
women characters
status
