摘要
《文选》音乐赋在表现音乐时,隐含了赋家儒道兼有的音乐思想。一方面,赋家受儒家礼乐观的影响和压制;另一方面,他们要抒发自己不同于儒家礼乐观的对艺术、人生的感悟。赋家对传统儒家观念的突破,体现在《文选》诸篇音乐赋中是双层面的。无论是音乐还是文学,都具有人性解放的倾向。
Music Fu is a mixture of Music and Literature. Six pieoes of Music Fu in Wenxuan are the representative works in Han, Wei and Six-dynasty. When these works exhibit music, they contain authors' musical thought which mix Confucianism with Taoism. On the one hand, authors were affected and suppressed by the musical thought of Confucianism; On the other hand, they expected to express their own sentiment about art and life which were different from Confucianism. The breakthrough of the authors in traditional Confucianism is of double spheres, which has an inclination of humanity liberation either in music or literature.
出处
《唐山师范学院学报》
2005年第6期11-13,共3页
Journal of Tangshan Normal University