摘要
在对于艺术本体的认知上,有“唯情”和“唯意”的两种观点的尖锐对立。现代艺术的危机表明,艺术“唯意”或“唯理”只能是死路一条。中外传世经典文学艺术作品都是情意互证两不偏废的。从禅宗“情法”互证的认知方式来看,艺术的本体为“情道合一实相”。
There has been a sharp conflict between the concept of unique importance of emotion and that of unique importance of meaning. The crisis of modem art shows that art can only meet its doom if it attaches importance to only meaning or reason. The literary and art works that can last forever all give equal emphasis to e- motion and meaning with each supporting the other. From the perspective of Zen-Buddhism's cognizing mode of emotion and tenets supporting each other, the ontology of art is that " emotion and morality are incorporated and form an entity".
出处
《深圳大学学报(人文社会科学版)》
CSSCI
北大核心
2005年第6期84-87,共4页
Journal of Shenzhen University:Humanities & Social Sciences
关键词
艺术本体
唯情
唯理
情道合一
art ontology
unique importance of emotion
unique importance of reason
emotion and morality are incorporated