摘要
狄德罗是法国启蒙主义美学的最集中的代表者,他的美学思想是一个以“美在关系”为中心的,包括戏剧(诗学)美学的情境说和绘画美学的整体论及其相互融合的完整体系。他的美学思想体系不仅反映了资产阶级市民要登上世界历史舞台的强烈愿望,也具有了唯物辩证法的最初的表述形式,代表着18世纪西方美学的最高程度。
Diderot is the most centralized representative figures of French enlightenment aesthetics. His aesthetics thoughts is a integrated system that regards Beauty Exists Relation as core including Complexion Theory of drama aesthetics （Poetics） and Entirety Theory of painting aesthetics and their mixing together. His aesthetics thoughts system not only reflects the intense wish that bourgeois citizen wants to mount intemational historical stage but also bears the foremost expression form of materialistic dialectic and stands for the highest level of Western aesthetics in 18 century.
出处
《云梦学刊》
2005年第6期73-78,共6页
Journal of Yunmeng
关键词
狄德罗
美在关系
情境说
整体论
Diderot
beauty exists relation
complexion theory
entirety theory
