船山儒学情感范畴论

On the Wang-Chuanshan's Confucian Emotion Category

情感范畴是船山美学的有机组成部分,在其诗论和哲学的体系中占主导地位。从词源学的角度考察,船 山“情”字有六种用法。“性之情”是船山儒学情感论的精髓,其情感论既是对朱子美学的超越,又是对王学末流的 反拨,其中蕴含着丰富而有启发性的美学意蕴。

Emotion category is one orgalnic part of the Wang - Chuanshan＇s aesthetic and holds the leading status in his poetics and philosophy. The paper researches six usages of the term“ qing（情）”from etymological angle and thinks that “disposition” is the quintes- sense of the emotion theory,and finds that his emotion theory exceeds the Zhuzi＇s aesthetics and Post -Wangeianism（王学末流） and has rich and heuristic emotion connotations by analyzing the connotation of his Confucian emotion theory.