摘要
孟郊是中唐韩孟诗派的开山人物,他的独特经历和个性造成了他在诗歌审美方面与众不同的特征,即追求一种“不美之美”,他将关注的目光更多地转向不大引人注意的对象,如苦寒、贫病、怪奇、恐怖等方面,从而表现出一种以丑为美,化腐朽为神奇的效果,展示了唐诗大变于中唐的景观。
As a pioneer of the Hanmeng poetic school in the middle Tang dynasty, Meng Jiao' s distinctive experience and personality brang up his unique characteristic in term of poetic aesthetics: not being beautiful on appearance but moving in art. Meng Jiao paid closer attention to some aspects which were little been followed with interest, such as suffering and coldness, poverty and disease, surprise and terror. Thus his poetry treated ugliness as beauty and transformed staleness as freshness and revealed a view of large change of Tang poetry in the middle of Tang dynasty.
出处
《衡水学院学报》
2005年第4期55-57,共3页
Journal of Hengshui University
关键词
孟郊诗歌
审美特征
不美之美
Meng Jiao' s poetry
aesthetic characteristics
not being beautiful on appearance but moving in art