摘要
“丽”是中国古典美学的重要审美范畴,贯穿于中国古典美学的整个历程。先秦两汉时期的“丽”,尚处于孕育和萌芽阶段。“丽”在先秦时期作“形容词”、“数量词”、“动词”等属性论初具审美内蕴,但基本上未有意识地被纳入艺术审美视野。“丽”在两汉时期文论视野中,在“文体论”、“鉴赏论”等层面,表现出审美质性,但几乎都是文论家们自发地对之理性把握,揭示的也是一些表面的、直接可感的审美属性,并不具备多方面审美内涵。
“Li” is one of the most important aesthetic categories of Chinese classical aesthetics,It runs through the whole course to Chinese classical aesthetics. “Li” is in a sprouting and budding state in the Qin Dynasty BC and in the Western and Eastern Han Dynasties. when it is used as “Adjective” or “Number” or “Verb” in the Qin Dynasty BC,it bears the imprint of Aesthetic feeling,but it is not included in Aesthetic vision of art consciously. In the theory of literature,“Li” bears characteristic of taste with appreciating,stylistic aspects in the Western and Eastern Han Dynasties,Theoretist almost keep its hold spontaneously and rationally,and reveal some superficial attribution which can feel directly,but what don't possess much aesthetic intension in many aspects.
出处
《成都理工大学学报(社会科学版)》
2005年第4期43-46,108,共5页
Journal of Chengdu University of Technology:Social Sciences
关键词
先秦两汉
古典美学
丽
范畴
Qin-Han Dynasty
Classical Aesthetics
Li
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