摘要
汪承栋诗歌的形象是诗人按照关的规律,伴随着美感活动而进行创造性劳动的产物,是诗 情的载体;是它使读者注视着审美对象。本文从它的崇高美、“我”的形象美、“我们”的群体形象美、景物 的形象美和形象的色彩性几方面,初探了汪承栋诗歌的美学艺术。
The image of Wang Chengdong's poetry is a product of creative labor with the activity of sense of beauty according to the rule of beauty. It's the carrier of poetry affection, which focus the readers' attention on the object of the appreciation of the beauty. From such aspects as lofty beauty, the image beauty of ' I', the group image beauty of 'We', the image beauty of scenery as well as the color property of image, the author explores the aesthetic art of Wang Chengdong's poetry.
出处
《西藏民族学院学报(哲学社会科学版)》
2005年第6期56-60,共5页
Journal of Tibet Nationalities Institute(Philosophy and Social Sciences Edition)
关键词
西藏
汪承栋
诗歌
形象美
Tibet
Wang Chengdong
poetry
beauty of image