文革与食指的诗歌

A Discussion on Great Cultural Revolution and The Poems Written by "Forefinger"

食指的诗对文革以后朦胧诗的诞生与形成起到决定性的影响。考察食指的诗,可以探究红卫兵的悲剧命运。诗人郭路生无法战胜文革的重压,自我分裂或许为他带来了不足为他人道的自由,但是文革之后,更多的红卫兵一代或成为潜在的分裂症患者,或成为社会的中坚力量。诗人选用“食指”作为笔名来表达自己的抵抗与嘲笑,具有与众不同的意味:中国的诗人在创作中或日常生活中,总会受到无形的压制,但是无论别人如何在背后指指点点,说三道四,人格健全的诗人也不会受到任何伤害。

The poems written by “Forefinger”（the pseudonym of Guo Lu-sheng） have had a decisive impact on the birth and occurrence of the misty poetry since Great Cultural Revolution. By interpreting the poems of “Forefinger”, there is an obvious exposure of the tragedy of the Red Guards which had inflected in the fortune of the Red Guards as the poet Guo Lu-sheng （“Forefinger”） suffered from the heave pressure of Great Cultural Revolution, esp. the pressure of ego-schizophrenia then, and who turned out either to be the patients of the ego-schizophrenia or to be the society elites. The poet chosen “Forefinger” as his pseudonym wanted to express his assistance and derision, which was with instinctive meaning： China＇s poets have always been endured great invisible suppress during the composing and daily life, however, whatever the criticism and the nonsense is, the poets who have efficient personality would not hurt at all.