摘要
本文试图通过对文人画在民国遭遇的批判和受到的维护进行初步扫视和局部透视,分析民国文化人如何看待文人画,并试图在文人画被审视的综合视野中揭示不同认识之间的复杂关系,由此对近现代所谓革命和保守阵营的相对性及其文化选择的现代意义得出一家之见。
This paper tries to analyze the attitude of the Republic intellectuals toward the literati paintings through their critique on and their defense of these paintings. With preliminary surveys and partial investigations it tries to reveal the intriguing relationship between different perceptions of literati paintings so as to put forward a new idea about both the relativity between the revolutionary and the conservative and the modern meaning of the cultural choice.
出处
《文艺研究》
CSSCI
北大核心
2005年第12期101-111,共11页
Literature & Art Studies