光与影中的时空延异——论杜拉斯《情人》中的影像书写

On the Photographic Narration of Duras's The Lover

杜拉斯的小说《情人》,运用了电影蒙太奇手法,通过光、影、声效的影像书写,借助画外音与画内音的共时同构,营造出不稳定、流动、重叠的氛围,消融了现实与真实之间的界线,使小说呈现时空延异的特效。

In his novel The Lover, Marguerite Duras employed the technique of montage to construct the atmosphere of instability, fluidity and overlapping through the photographic narration of light, shadow and sound effect and the synchronic utilization of voice within and without, thus having transcended the boundary between reality and truth and endowed the novel with the unique effect of temporal and spatial narration.