论《伤逝》人物原型的变形艺术

On the Transformation Art of the Person Prototype in The Mourn

《伤逝》承载着鲁迅内心世界丰富的情感信息,既是对朱安命运的直接预言,也是对旧式婚姻生活的回顾与告别。据此,鲁迅对人物原型进行了艺术变形,以“杂取种种”、“合成一个”的方式塑造出了“子君”的形象,又以自己为基本原型塑造了“涓生”的形象。鲁迅与“涓生”之间的“镜像效应”,使《伤逝》的主题具有自我审视与批判的深刻意蕴。

The Mourn loaded the emotion of Lu Xun＇s abundant heart , and it is not only the direct prediction of Zhu an＇s destiny, but also the review and the farewell of the old marital life. According to the demand of ihe creation intention, Lu Xun carried on the art to transform the persons prototype, with “miscellaneously take various” and “synthesize to one” of way, molded the image of “Zijun”, and with the image of own basic prototype, Lu Xun molded “Juansheng” image. “The probable effect from mirror image” make the theme of The Mourn have deep idea with the ego examination and the judgment.