摘要
将手风琴与管风琴的发音原理作比较,结合巴赫作品的通用原则论述手风琴演奏巴赫作品的适宜性;通过研究手风琴自身的乐器特点来论述它演奏的局限性,从技术的角度上来探讨如何弥补这种局限;论述在手风琴演奏巴赫键盘作品的实践中应该遵循的规范,并从技术和艺术的角度提出了一些个人的观点和看法。
Up to date, there has hardly been any study in performing Bach' s keyboard music on the accordion at home and abroad. To address the issue, this paper first compares the respective sound-producing principles of the accordion and the pipe organ, and then illustrates the fitness in playing Bach' s music on the accordion in light of the current principle of Bach' s music. It continues to discuss the technical limitations involved, as well as the possible solutions for compensation. Finally, the paper presents the standards, as well as some personal comments and recommendations.
出处
《海南大学学报(人文社会科学版)》
2005年第4期468-474,共7页
Journal of Hainan University (Humanities & Social Sciences)