从《聊斋志异》看蒲松龄的谐隐情结

On Pu Songling's Deep Banter Consciousness——Studying from Liaozhaizhiyi

蒲松龄具有强烈的谐隐情结,这从《聊斋志异》中即可看出。《聊斋志异》通过以下手法来酝酿其谐隐趣味:戏拟经典与公文、谐音双关、背谬性对比、夸饰、戏用典故、矛盾法、夫妻间闺中隐语、人物命名、析字法及作者把自己和朋友写入小说等。《聊斋志异》之所以具有浓厚的谐隐色彩,一是因为蒲松龄继承了唐代传奇的谐隐传统,二是因为他本人具有追求谐隐趣味的内在审美趋向。同时,寓教于乐的创作意识及民间文化对他的浸染也不能忽视。

We can see from Liaozhaizhiyi that Pu Songling had deep banter consciousness. He created it with many ways by imitating the classics and official document, using homophonic and pun, contrasting absurdly, exaggerating something , using allusion, creating contradiction, insinuating language between the man and wife, naming the figures, splitting the word, and describing himself and his friend in his fiction. There are some reasons that we can explain the phenomena in Liaozhaizhiyi. First, Pu Songling inherited the traditional banter consciousness of Tangchuanqi. Second, seeking banter consciousness was his aesthetic idea. At the same time, the folk culture had an effect on him so as to make him express his implied meaning in a funny way.