摘要
敦煌本《唐太宗入冥记》是中国古代通俗小说发轫期的一部重要作品,对其拟题由来、抄写年代还存在着误解和歧见,关于其叙事艺术的研究也存在着不足。文章拟分三个层次对这些问题作粗浅的探讨,力图清晰地显示它在小说史上的地位。
Tang Taizong' s Adventure in the Hell is one of the most important Dunhuang transcriptions. With regard to its supposed name and scribal era, there exist misunderstanding and different views that must be pointed out. In addtion, its narrative skill has been ignored. In this pater, we try to put forward our opinion on the above - mentioned problems in order to clarify its position in the history of Chinese ancient novels.
出处
《广州大学学报(社会科学版)》
2005年第9期24-28,共5页
Journal of Guangzhou University:Social Science Edition
关键词
《唐太宗入冥记》
叙事焦点
颠覆
戏剧性
错位
Tang Taizong' s Adventure in the Hell
narrative focus
subvert
dramatic
misplacement