“沙家浜”现象与接受美学视野

Viewing the Shajiabang Phenomenon from the Perspectives of Reception Theory

自接受美学的视阈审视从“样板戏”到“风流版”的“沙家浜”现象,力图对“沙家浜”现象中引发的尖锐争论之原因做出深层解读。不同时期读者的审美经验、期待视野、接受方式直接导致他们对于《沙家浜》各个版本的不同看法。

This paper intends to, from the perspectives of the aesthetics of reception, look into the phenomenon of the play, Shajiabang, the transition from a model version to a romantic one, trying to expose the causes underlying the heated debate around it. Readers of different times, their unique aesthetic experiences, expected visions and reception patterns, diversify their opinions on varied versions of Shajiabang.