摘要
政治抒情诗的源头有两个:中国新诗中的浪漫派和西方19世纪浪漫派,其所具备的接受环境为政治抒情诗提供了“发展”乃至“高潮”的契机。政治抒情诗缺乏民间化的写作立场、个性化的写作气质和陌生化的艺术效果,其消弭的原因恰恰在于其创作追求与诗性的彻底背离。
There are two sources for the political lyrics: the Romantic school in the new Chinese poems, and the Western Romantic school in the 19th century. The reception environment provided the opportunity of “development” and “climax” for the political lyrics. The poems lack the popular writing stand, the individual writing quality and the strange artistic effect. The reason for the disappearance is just because of the collision between the creative pursuit and the poetic quality.
出处
《承德民族师专学报》
2005年第3期61-62,共2页
Journal of Chengde Teachers College for Nationalities