批判现实倾向的勃兴和消失——试析四十年代初延安鲁迅式杂文和“新杂文”的艺术命运及其影响

From rising of the criticism trend towards revolution to withering——the artistic destiny and the impact of the Lu Xun style essay and New Essay in the 1940's

延安整风时期,随着鲁迅式杂文的兴起一时,杂文的批判现实倾向受到置疑;金灿然以《一得书》为“新杂文”的代表,肯定了这种杂文创作模式;然而强势的党文化力量使得“新杂文”并没有蔚然成风,最终革命内部批评成为杂文创作的畏途。

With the rise of the Lu Xun style essay, the criticism trend to revolution was doubted; Jin Canran took YIDESHU. as the representative of the New essay; While the stronger Party culture make the writers were afraid to criticize the revolution in their essays.