摘要
丑角哑剧、即兴喜剧、杂技、马戏、歌舞杂耍等诸多民间戏剧形式,作为戏剧强大而丰富的附属系统,是正统戏剧吸取力量与生命力的源泉。“小丑哑剧练习”在表演基础教学中的应用,是受民间戏剧表演特点的启发,同时也是表演教学中,“如何进一步开发演员的外部形体表现力”这一研究课题的需要。本文分为两部分一、民间戏剧的影响力。二、“小丑哑剧练习”在话剧表演教学中的应用。
As a side-line system, the folk drama including mime, harlequinade, improvised comedy, acrobatics and circus is so mighty and plentiful that the orthodox drama always absorbs the new strength and vitality from it. Adopting “the harlequinade exercise” in the actor's training is inspired from the folk drama. At the same time, it is the also need of the teaching subject, which is how to take further steps in developing the actor's physical technique. The article has two parts: [ 1 ] the influence of the folk drama and [ 2] adopting “harlequinade exercise” in the actor's training.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2005年第4期40-48,共9页
Drama:The Journal of the Central Academy of Drama
关键词
民间戏剧
小丑哑剧练习
演员训练方法
Folk drama Harlequinade exercise Method of the actor's training