历史夹缝中的“鸳鸯蝴蝶派”电影

The Mandarin Duck and Butterfly Film School Caught at a Historical Moment

本论文主要研究被新文学和左翼电影界视为“逆流”的鸳鸯蝴蝶派文学在其创作者们于1921年前后大量进入电影界时,对中国早期电影的创作(尤其是剧本创作)产生的重大而深远的影响,以及在1949年之前,鸳鸯蝴蝶派文人在电影界掀起的两次商业化电影创作高潮对当今中国电影创作的借鉴意义。

This paper mainly studies the profound influence left on the early production of Chinese movies （especially in terms of scriptwriting） by the Mandarin Duck and Butterfly School, when its writers entered the filmdom around 1921. This study also alms at highlighting the lessons for today＇s film creation from the two pre-1949 climaxes in the production of commercialized films, brought about by this school, which the new vernacular and left-wing filmdom had regarded as an “adverse current”.