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Poetic Craftsmanship and Spiritual Freedom:An Interview with Professor Sonia Sanchez 被引量:2

Poetic Craftsmanship and Spiritual Freedom:An Interview with Professor Sonia Sanchez
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摘要 This is an excerpt from an interview with Professor Sonia Sanchez, one of the most famous contemporary African American poets. This excerpt demonstrates Prof. Sanchez’s efforts in and views of poetic craftsmanship. As a poet who has been experimenting with various poetic forms like the blues and jazz poems, the sonnet, and the haiku, and reshaping them into her own forms, she believes that a poet has the freedom of choosing form. For her, different forms serve different purposes, and the efforts in the innovation and renovation of forms not only serve the construction of the poem but also express the joy and freedom of writing. Musicality, embodied in the structure, writing, and typographical arrangement of her poems, is a remarkable feature, which, she believes, crosses genders and colors and serves as a means of communication among peoples. Black English, especially the urban black vernacular, is largely used in her poems to exhibit and celebrate the black existence in America and to serve the growth of humanity. Her pursuit in poetic craftsmanship registers her spiritual freedom, self-affirmation and self-pride as a female African American poet. This is an excerpt from an interview with Professor Sonia Sanchez, one of the most famous contemporary African American poets. This excerpt demonstrates Prof. Sanchez' s efforts in and views of poetic craftsmanship. As a poet who has been experimenting with various poetic forms like the blues and jazz poems, the sonnet, and the haiku, and reshaping them into her own forms, she believes that a poet has the freedom of choosing form. For her, different forms serve different purposes, and the efforts in the innovation and renovation of forms not only serve the construction of the poem but also express the joy and freedom of writing. Musicality, embodied in the structure, writing, and typographical arrangement of her poems, is a remarkable feature, which, she believes, crosses genders and colors and serves as a means of communication among peoples. Black English, especially the urban black vernacular, is largely used in her poems to exhibit and celebrate the black existence in America and to serve the growth of humanity, tter pursuit in poetic craftsmanship registers her spiritual freedom, self-affirmation and self-pride as a female African American poet.
出处 《外国文学研究》 CSSCI 北大核心 2005年第6期1-6,共6页 Foreign Literature Studies
关键词 索尼亚 人物访谈 非裔美国作家 诗歌创作 当代文学研究 African American Sonia Sanchez poetic craftsmanship spiritual freedom
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  • 1Joyce, Joyce Ann. Ijala : Sonia Sanchez and the African Poetic Tradition. Chicago: Third World Press, 1996.

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