摘要
现代乡土小说体现了现代乡土作家对自我的二重放逐。他们告别故乡,就意味着成为乡土的一个“他者”,而同时又无法自如地进入城市的生存语境。于是他们只能把自己精神的栖所放在“别处”,在创作的“白日梦”中为漂泊的灵魂重构一个虚构性和理想性的精神家园,为现代人建构了一种理想的生活模式———人和自然完全的和谐。
Modern provincial novel reflects provincial from homeland means that they are no longer provincialist, involved in the city life. So they have to place their spiritual homeland, which constructs an ideal living pie and nature. writers' dual exile towards themselves. Their leaving and at the same time, they cannot get themselves freely spirits in the creation in which they create a fictional and ideal pattern for modern people, i.e. the complete harmony of people and nature.
出处
《西安文理学院学报(社会科学版)》
2005年第6期4-7,共4页
Journal of Xi’an University(Social Sciences Edition)
关键词
乡土小说
精神家园
二重放逐
重构
provincial novel
spiritual homeland
dual exile
reconstruction