模拟情境与表达剩余的传播之域——马原小说的意义之境

The Communication Field of Simulated Situation and Expression Surplus—On Ma Yuan's Writing Form

在中国新时期“先锋小说”的板块上,马原写下了亮丽的一笔。这主要不是依赖他作品的内容,更多的则是他那恶作剧般小说叙述的“陌生化”形式。其最大的意义在于他有意识地创作了“活页小说”,形成类似“元小说”的效果。但马原最终被读者抛弃与他最初被读者接受一样,都是因为“形式”,这是他个人的悲剧,也是中国新时期“先锋小说”的悲剧。

Ma Yuan played a leading role in the creation of avant- garde novels in the New Period of China. This was mainly due to his mischievous strange narrative form rather than his content. What was most significant was that he consciously wrote “loose- leaf” novels, resulting in effect similar to those written in the Yuan Dynasty. Just as he was accepted, he was rejected for the same reason of form. This was his tragedy and that of avant-garde novels in,the New Period of China as well.