追逐阴影:非物质建筑

Pursuit of shadow and light: Immaterial Architecture

文艺复兴期间,在建筑设计成为脱离于手工劳作 的艺术化脑力创造过程当中,在建筑师成为脱离于无名 工匠的艺术家的过程中,建筑绘图在其中起到了非常重 要的作用。本文通过对绘图、建筑师和建筑设计三者关 系的探讨,强调了建筑创作中的非物质特性,或者说建 造之外的纬度。以非物质为空间实践的焦点,作者重新 审视了建筑绘图在建筑设计中的潜力,同时进一步提出 物质性和非物质性两者的结合给建筑创作带来灵活性的 可能。

The Italian Renaissance saw the separation of architectural design as an intellectual, creative and artistic activity from manual labour, and the new status of architect different to anonymous craftsperson. During this process, architectural drawing played a crucial role. Through the exploration on the relationship amongst architectural design, drawing and architect, this paper emphasizes the immaterial features of architecture, or the concerns out- side of construction. Treating immateriality as one of the crucial natures of spatial practice, the author explored the potential of drawing in contemporary architectural design. At the same time, the author highlighted the possibility of greater flexibility in contemporary architectural design tthrough engaging the material and the immaterial.