摘要
在清初地域文学兴盛的环境下,以施闰章、高咏、梅文鼎、梅庚为代表的宣城诗人树帜诗坛,形成区域色彩鲜明的宣城派,其独具特色的诗歌被称为“宣城体”。在清诗流派研究史上,宣城派长期被冷落、悬置。本文从宣城派的兴起、文学渊源的考察、“宣城体”特色的辨析三个方面,探讨宣城派的历史风貌和诗歌艺术旨趣,认为宣城派兴于清顺治初,康熙中叶后逐渐淡出诗坛,宣城派并非清初的宗宋派,其文学近源是明中叶以后的宣城风雅,“宣城体”具有诗道一贯、言之有物、醇厚为则、风貌朴秀、语言简净五大特征,与“神韵体”、“梅村体”一起构筑了清初诗歌的繁富景观,并影响着清代诗风嬗变的走向。
Xuan Cheng school appeared in the early years of Qing Dynasty. Shi Runzhang, Gao Yong, Mei Wending, Mei Geng were representative poets, and their poetries were called “Xuan Cheng” style. This thesis deals with the developing and literature origin of Xuan Cheng school, and the main features of “Xuan Cheng” style. It considers that Xuan Cheng school was not a school which imitated poetry of Song Dynasty, and its literature origin was the poetry trend which appeared in the middle of Ming Dynasty. “Xuan Cheng” was charaterized by combining of poetry and Yang Ming philosophy ( 阳明心学),plenary content,mild attitude,elegant and simple appearance,net and compact language.
出处
《苏州大学学报(哲学社会科学版)》
北大核心
2005年第6期40-45,共6页
Journal of Soochow University(Philosophy & Social Science Edition)
关键词
清初
宣城派
文学渊源
宣城体
the early years in Qing Dynasty
Xuan Cheng school
poetry origin
“Xuan Cheng” style