摘要
汪曾祺在“人学”上持一种平民的民间立场;相应,在“艺道”上,持一种行业态度和“倾向植物”的自然审美意识。作为一名卓越的作家,他有自己独特深刻的话语实践策略,他的隐含着双重视角的风俗画般的作品,显示了他的性灵派的儒家的独特的精神境界。
Wang Zengqi always looked upon the human being from the perspective of common-folk people and maintained a professional attitude of pure literature. His aesthetic consciousness had an intense natural character and a deep affinity with plants.As an excellent writer,he had a unique and profound discourse practice strategy.With a hidden dual angle of view and characteristics of a folk-way painting, Wang's works show his particular inner world of a disposition-mode Confucianist.
出处
《石家庄学院学报》
2006年第1期82-88,127,共8页
Journal of Shijiazhuang University
关键词
汪曾祺
人学
艺道
话语实践策略
双重视角
Wang Zengqi
human being studies
principle of art of writing
discourse practice strategy
dual angle of view