主流意识形态的凸出与彰显——析丁玲在后期解放区小说创作的转型

Self-evidence of mainstream ideology——analysis of Dingling's transformation in her later-period creation liberated area novels

丁玲自文艺整风后,从一个善于以“性别与政治”写作的作家彻底转变成为符合主流意识形态创作的文艺工作者。《太阳照在桑干河上》是她转型后的代表性作品,被誉为具有“社会主义现实主义文艺”最根本的特征。丁玲对小说中人物性格的塑造和评判,是按照党的政策思想、阶级成分、政治态度等来分门别类、加工构造。不过,丁玲在遵循特定的理念框架时,在农民文化心理和农村生活气息的真实传达上,仍体现出自己鲜明的审美追求。

Ever since the Rectification Movement on Art and Literature, Dingling has changed thoroughly from a writer with “gender and political”consciousness to a literalist in accordance with the mainstream ideology. “The Sun Is Shining over the Sanggan River”, her representative work after transformation, has been hailed as having the fundamental characteristics of socialist realistic art and literature. In her novel, Dingling classifies, processes and molds the characters＇ nature based on the Party＇s policy and thinking, class element, political attitude, etc. But, while following the special principle and framework, Dingling still manifests her own distinctive aesthetic pursuit in conveying the peasant＇s cultural psychology and the flavor of rural life.