中国古代文论中意象批评法形成的思维路径

Thought Approach Formed by Imago Critique in Chinese Ancient Literature Review

意象批评的一个重要特征就是在语用环境中,批评话语所传达的意义不是话语中使用的词汇本身的意义,而是这些词语组成的“意象”所蕴涵的内在意蕴。意象批评法按照如下思维路径逐步得到确立:首先是由玄言思辩所促动的“言意之辨”与“象”的提出,然后是由于佛学浸淫而在文学思维中形成的“物—心志—物象”主体融入模式,最后是“取境”思维导致的语用学意义上的“意象”运用。

A main feature of imago critique is that the true meaning is not the meaning of the words,but the implication of the 'imago' formed by the words.The critique is established in terms of the thought approach as follows: first of all,the 'imago' was be put forward because of the motivation of metaphysics language,then formed the main model of 'matter-feeling-imago' because of the influence of Buddhism,at last,the application of 'imago' was formed by the 'scene choice'.