天人合一：山水诗歌的最佳心灵境界——魏晋诗歌山水意象论

The Integration of Man and Nature:the Best Mental State of Scenic Poetry——On the Image of Scenic Poetry of The Wei and Jin Dynasties

在魏晋诗人笔下,山川河流已不纯粹是大自然的产物,而是成为了包含着诗人复杂情感的有生命、有性格的载体,其表现了诗人对茫茫宇宙的无穷探索及对个人短暂生命价值的无限追求,山的崇高伟大与水的深邃绵邈融汇成了作者的主体人格意识,这种物对人的异化具有异常丰富的内涵,是天人合一传统思想在诗歌领域的革新, 无论自觉与否,作者都在力图达到这种物我两融的境界。

This paper discusses the images in scenic poetry of the Wei and Jin Dynasty, and the psychology of the poets in their creation. It comes to the conclusion that in the poems of the poets of the Wei and Jin Dynasy, mountains and rivers were not the pure products of nature but carriers that had life and personality and contained the complex emotions of the poets; they showed the poets＇ infinite probe into the boundless universe and endless pursuit for the value of short individual life. Lofty mountains and long and deep rivers together formed the subject consciousness of personality. And the alienation of things to man had rich connotations. It was the reform of the traditional thought of the integration of man and nature in the field of poetry. Whether conscious or not, the poets all attempted to reach the state of the integration of man and nature.