《红楼梦》三重悲剧世界的审美意象解读

Interpretation of the Triple Tragedy of "A Dream of the Red Mansions"Through Aesthetic Images

曹雪芹通过现实世界、理想世界和神话世界亦即大观园、太虚幻境和大荒山三重世界的彼此交融,错乱其年代,虚拟其时空,实现小说的虚化,将一连串极具表意性的审美意象序列凝聚起来,又辐射开去,富有诗意地上演了《红楼梦》的三重悲剧。对这些具有浓郁的象征性、甚至神秘色彩的审美构体——水、石、花、花园及其一系列变体进行解读,可以更好地理解《红楼梦》的三重悲剧世界。

This thesis holds that Cao Xueqin has performed the triple tragedy of ＂A Dream of the Red Mansions＂ in rich poesy, by exactly blending the real world, the ideal world and the mythical world in the Grand View Garden, the triple worlds and the big deserted mountain in order to disorder its times, fiction its time and space, and to realize the fiction emptily. It condenses a succession of aesthetic images which express the meaning strongly and radiate it richly. This text tries to understand the triple tragic worlds of ＂A Dream of the Red Mansions＂ closely just through those aesthetic images and a series of variants which have strong symbols, even mystery flavour constructions, such as water, stone, flower, garden, etc.