摘要
《绣襦记》是出现于明代成化、弘治年间的一部传奇作品,取得了较高的艺术成就。《绣襦记》的艺术成就主要体现在两方面。首先,情节的铺排:以“绣襦”作为一个贯穿全剧的道具;伏笔与照应手法的运用;情节的调整。其次,语言的运用:人物的语言符合人物的身份、地位和性格;化用古典诗词生动自然;化用民间语言,特别是“四季莲花落”的化用。上述成就,历来为人所称赞。
Xiuruji is a legendary works with rather high artistic achievements, which came into being during the reign of Chenghua and Hongzhi in the Ming Dynasty. The artistic achievements of Xiuruji mostly embody two aspects. Firstly, plot arrangement: xiuru is used as the stage property permeating all the opera~ foreshadowing and coordination are applied; adjustment of plot. Secondly, the language: the language of characters agrees with their identity, status and character; its digestion of classical lines is dramatic and natural ; civilian common sayings are abstracted and applied in the opera,especially the "sijilianhualuo'.
出处
《中国矿业大学学报(社会科学版)》
2005年第4期115-118,共4页
Journal of China University of Mining & Technology(Social Sciences)