摘要
纵观当前的都市言情剧创作,其中主要的仍然是颇具女性话语特征的个性化剧作,女性视角与男权立场的矛盾造成了都市言情剧的叙事技巧趋于裂变和结局更加开放。叙事过程中的流水性选材、中“性”化表现与伦理化导向,既标示了都市言情剧叙事的世俗品性,又表明了其一贯持有的伦理导向。
An overall view of contemporary love stories on TV still discloses the overwhelming majority of feminine discourse which features individualistic play production. The contradiction between female perspective and male-dominated stand results in a gradual split of narrative skill and a more open finale. The .selection of routine subject matter, the neutralization of “gender,” and the ethical guidance mark both the mundane character and the long prevalent ethical guidance of the narrative of urban love stories.
出处
《南京师范大学文学院学报》
2005年第4期28-34,共7页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
都市言情剧
叙事伦理化
叙事策略
电视评论
urban love stories on TV
digression and split of narrative
ethicization of narrative