摘要
1984年以后,大批有影响的女诗人纷纷将笔触伸向文化、生理、心理领域,对女性处境进行了体察入微、更高层次的文化审视,从而显示出内容上“反传统”、“反崇高”的倾向。在形式上,则大胆移植西方现代诗歌的技巧,诸如自白方式、独特的结构与意象、怪诞的语言等,从而使20世纪80年代后期的女性诗歌呈现出鲜明的现代诗学特征.
Since 1984, Female poets utilize their facile pens to touch the fields of culture, physiology, psychology and the like, looking closely at women's predicament and giving it a further cultural observation. Their talented creation is shown in the poems in an effort to help women obtain more. of "anti-tradition" and "anti-loftiness" shown in contents of female poetry. Moreover, such brave implantation of modem western poem-wrlting skills as serf-confession, unique structures, image expression and the weird language was adopted, making the female poetry of the late 1980s bear a distinctive characteristics of modern poetry in form.
出处
《齐齐哈尔师范高等专科学校学报》
2005年第2期63-65,共3页
Journal of Qiqihar Junior Teachers College